An invaluable resource for any fan, from the casual to the die-hard,
this title sits alongside Ian MacDonald's 'Revolution In The Head' in the category of
serious and detailed studio analysis.
Elliott painstakingly chronicles the Stones' story, his
narrative lacing dates and places of recording, tracing the evolution of each
song in micro-detail, including live performances and bootlegs. It's invaluable
as a comparison to the scantily annotated Grrr!
Kris Needs, Classic Rock - March 2013
One can only applaud the exhaustive research which
went into this annotated, chronological list (1546 entries) of every sound
recording made by the Stones, including live releases, bootlegs and the stuff
Jim Irvin, Mojo - February 2013
If you're looking for a book about Mick Jagger's sexual
exploits or Keith Richards' drugged-out debauchery, then there are plenty
of other books for that, although some of this book's stories about the
songs mention the decadent behavior that inspired the songs. But if you want a
comprehensive book about the Rolling Stones' recording history, then
this is the gold standard.
Carla Hay, The Examiner - February 2013
It is a bit daunting, it is 600 pages and it is a goldmine.
If you are a Rolling Stones fan then you have got to have this book but
you have to be a pretty full on Stones fan because every record, everything
they have recorded is in here. And that includes live versions that have
appeared on disc... I wonder how many people would ever read this from
cover to cover and the answer is you wouldn't. It is a reference book
and it is an excellent reference book...
Colin Hall, BBC Radio Merseyside - December 2012
If you're a Stones nut, you'll be pleased to have what's
tantamount to a session catalog back on your shelf, and maybe - just maybe
- there will be less need this time to try and spread the word about a book
that is so laden with information that there are times you wonder, in
reading it, if it's going to wear out your back trying to lift it up again.
Martin Elliot must have invested an age in researching everything here,
and the natural risk in the endeavor is that scholars and historians will find
much to drink in, while the more casual reader - even one with a complete
set of Stones CDs - will be lost amongst the minutiae. But fear not,
music aficionados, for we have a surplus of narrative on hand, and a story
emerges - one that's impressively novelistic - as you make your way from
session to session, across the years, across the decades, and across one of
of the more remarkable careers in the history of popular culture.
Colin Fleming, The Boston Globe Correspondent - November 2012
Again the third issue of this book (after 1990 and 2002)
will have notorious nitpickers go ahead to satisfy their nitpicking urge.
Serious fans and readers, however, do know, what immense work such a
compendium requires, what mantraps wait at nearly every passage.
Elliott's documentation - maybe containing a few minor mistakes -
receives the "Bible" stamp.
Bernd Matheja, German (translated) Good Times - October 2012
Sporting a foreword from Chris Kimsey - variously tape operator,
recording engineer and co-producer during his 25-year association with
the Stones - The Complete Recording Sessions is way more than a
standard discography; it's a comprehensive directory of all Stones
recordings released on a range of formats from movies to bootlegs
to downloads. As such, Martin Elliott's encyclopaedic undertaking will be
an essential addition to the reference libraries of all Stones collectors
Grahame Bent, Shindig! Magazine - September 2012
Hello Martin. Thanks so much for the book. I just love going through it.
Ed Cherney, Producer & Engineer - September 2012
You have to get to the source to put the story straight and Martin has done this better than anyone. His facts are highly accurate, I even find myself reading the book to remind me of dates and events!
Chris Kimsey, Producer & Engineer - April 2012
[Commenting on 1990 book] Though it isn't nearly as in-depth or as
revelatory as the Lewisohn book [The Complete Beatles Recording Sessions].
Elliott's tome still is valuable for putting the Stones' recording sessions
in chronological context. And if there isn't as much detail about what
happened at those sessions, well, remember that the Stones were hardly as
methodical in, or as enamored of, the recording studio as were the Beatles.
Jim DeRogatis, The Beatles vs The Rolling Stones - October 2010
no – not another book on the Stones’ recording sessions.”
I hear you cry. Well, yes, this is another assessment of the group’s
work in the studio, but you can save your exasperated cries, because
this is a worthwhile addition to your already bulging Stones bookshelf....
… this book serves as one of the genuinely
essential sources of information for the group’s legendary
recordings, and it’s damn good value to boot.”
Keith Badman, Record Collector, April 2003
mine of information"
With all the tabloid-style rubbish thats written
on the Stones, from a fan's point of view , its refreshing to read
a book that concentrates solely on the music.
work is a real labour of love and two of the most refreshing things
that can be said about it is that it not only takes you back to
the music that you already know but it also encourages you to seek
out the music that you're not familiar with already. Not only does
it list recording information for every commercially released studio
and live Rolling Stones recording which has appeared on record,
video or DVD but it also provides a fascinating glimpse into 4 four
decades of recording by looking at the numerous unreleased recordings
which have (or in some cases which haven't!) surfaced on bootlegs.
However,it's not simply a trainspotter's guide to the band's work
as the text that accompanies the data puts the music in it's historical
and biographical context.
This work is twice the size of Elliott's original
book on the band's recording sessions and shows a vast improvement
on the original in terms of the quality and accuracy of the research
done. The Stones have never made available a day by day account
of their studio work so dating some of it in exact detail is an
elusive task and means that any account of the Stones session work
can't be described as "definitive". However, with exhaustive
research and by drawing on the work of other Stones historians and
experts, Elliott has produced a tome is as excellent as it could
possibly be from the information available.
Gary Galbraith on Amazon.co.uk
recommend Martin Elliott’s The Rolling Stones Complete Recording
Sessions the standard reference work on every official and bootleg
recording, issued and otherwise, on which the Stones together so
much as breathed…”
Alan Clayson (author) within his 2004 book
"Elliott's book is a standard reference work
for Stones afficionados. For anyone planning to write a major Stones
study, this will be an invaluable primer."